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Participants explore cyborg forms of embodiment, moving beyond fixed ideas of anatomy, control, and identity. The techniques focus on working with temporality—alternating, stretching, compressing, and dislocating time—to create new images and shift habitual patterns of movement.
Inspired by systems of distributed intelligence, the workshop offers movement tools that invite the body to shift, reshape, and discover new ways of responding to its environment. References range from the adaptive behavior of an octopus to the complex networks formed by gut bacteria, opening up imaginative pathways for movement research. Tasks emphasize breath work, volumetric movement, and speed modulation, allowing dancers to distort, fold, and extend the body through time.
Drawing from Paul Schilder’s understanding of body image as a sensory construct and informed by feminist perspectives such as Donna Haraway’s cyborg and Astrida Neimanis’ bodies of water, BodyImage Techniques offers a choreographic toolkit in which the body becomes both archive and process—absorbing, transmitting, and reshaping meaning through movement.
The workshop can run for 2 to 5 days (3–4 hours/day) for professional dance artists and students. If a longer format isn’t feasible, Simona also offers a 4-hour intensive masterclass as a compact alternative. The format can also extend into a 7–10 day laboratory hosted by festivals or institutional platforms, a version developed so far for the Academy of Dance and Performance at the National Centre for Dance in Bucharest.