RAMANENJANA
performance, 60 min, 2022
BLOT - Body Line of Thought
performance, 42 min, 2022
synopsis
- Antananarivo. Thousands of people enter the city, dancing in a hallucinatory way to the magnetic music of the drums. They can keep dancing for days without getting tired, in a powerful mental state difficult to define, performing impossible acrobatics and tensing their bodies in improvised movements. It is rumored that they have red eyes and want to convey the message of a mother to her son through their rigid movements.
They are labeled sick, possessed, exploited, mad, pathologically empathetic, and unnatural in general agitation. The dancers are called Ramanenjana and go down in history as a group of people who were part of a choreomania—a mysterious mass dance, often called the «dance epidemic». It is unknown exactly how the disease that causes them to dance is transmitted. It is rumored to be contagious due to superstitions, the sound of music, exaggerated sympathy, or even mosquitoes.
Two months later, the «epidemic» abruptly stops as the political regime changes and European influence on the island diminishes.
- France annexes Madagascar. Ramanenjana floods the city again.
description
Ramanenjana is a docufiction performance about a dance that made history—literally. In Malagasy, Ramanenjana means something that makes you rigid, but also something that makes you strong. In southern Madagascar, Ramanenjana can also mean respect for «manenjana», meaning respect for those who dance tensely. The show critically discusses several versions of the same historical event, questioning the role of dance in society.
Working closely with ethnomusicologist and musician Olombelo Ricky, choreographers Simona Deaconescu (RO), Gaby Saranouffi (MG/SA), and their team of three performers humorously explore different visions of this complex event with text, gesture, movement, and sound.
In Ramanenjana, three languages are spoken, and contradictory testimonies about dance, disease, and revolution are commented on. Combining performative and multimedia elements, reality and fiction, archival documents, and contemporary testimonies, the show is relaxed, open to debate and discussion. The process of making the show becomes a subject in itself, inseparably related to the personal experience of its creators.
PROCESS
Ramanenjana is a co-production of Tangaj Collective, Forecast, and CNDB – The National Centre for Dance in Bucharest, produced following the selection of artist Simona Deaconescu as Forecast Mentee, mentored by French choreographer Mathilde Monnier and her nomination as Associate Artist of CNDB in 2022. The show benefited from an artistic residency at PACT Zollverein (Essen, DE) and a work-stay residency in Antananarivo, organized by Forecast in collaboration with the French Institute in Madagascar and the Goethe-Zentrum Madagascar. The Romanian choreographer invited dance artist and cultural activist Gaby Saranouffi to co-create the show in 2021.
During their one-year research and investigation, the two makers of Ramanenjana discovered that this phenomenon occurred in 1863 in several regions of Madagascar. This mass dance has been described in historical documents as a “choreomania”—a type of mass hysteria in which more than 20,000 people danced with supernatural resistance from February to May. Their dance has been characterized as unnatural and dangerous, putting the body under extreme physical and mental stress. The contagious nature of the dance remained an intricate mystery for those who studied it.
Multiple historical sources, mainly from the island’s first colonial missionaries, claim that this mass performative action contributed to overthrowing the ruling political regime, ultimately favoring European intervention on the island. On the other hand, the same sources state that it is inconceivable for a social rebellion to be the source of mass dancing. Ramanenjana is a phenomenon of astonishing complexity, bringing together the characteristics of an epidemic and the context of a revolution through dance—overlapping and contradicting each other.
In the oral culture of Madagascar, Ramanenjana is considered to be “tsindrimandry” (a premonition that appears in a dream), on the delicate border between a healing ritual (Bilo) and a trance (Tromba). Ramanenjana appeared in southern Madagascar, where it may still be performed today, as an obligation the young generation has in front of their ancestors—to defend the island’s independence and autonomy.
Simona Deaconescu and Gaby Saranouffi see Ramanenjana as a non-violent resistance movement with a concrete performative character. For them, Ramanenjana is a phenomenon that deserves to be explored to better understand the role of art in a society in crisis.
CREDITS
concept and choreography Simona Deaconescu, Gaby Saranouffi
dramaturgy Simona Deaconescu
performers Haja Saranouffi, Simona Dabija, Maria Luiza Dimulescu
music Olombelo Ricky
costume design Cristina Milea
mentor Mathilde Monnier
video Simona Deaconescu, Cristian Pascariu, Carmen Tofeni
graphic design Victor Bartiș
created following discussions with Olombelo Ricky, Michel Razafiarivony, Ray Amandreny Benoit Randrianasolo, Serge Henri Rodin, Domoina Ratsara, Guide Sebastian
based on fictionalized texts written by Andrew Davidson, William Ellis, Marc Finaz, Andrianjanfy, G. H. Stagg, Pierre de Vaissière
Ramanenjana is a cultural project produced by Tangaj Collective Association, in co-production with The National Centre for Dance Bucharest and Forecast, co-financed by the Administration of the National Cultural Fund. The project does not necessarily represent the position of the Administration of the National Cultural Fund. AFCN is not responsible for the project’s content or how the project results may be used. These are entirely the responsibility of the beneficiary of the funding.
Ramanenjana is supported by Goethe-Institut Bukarest, The French Institute in Romania, The Romanian Cultural Institute, The French Institute in South Africa, /SAC @ MALMAISON, Grizzly Film, and developed in partnership with The French Institute in Madagascar, Goethe-Zentrum Antananarivo, I’TROTA International Dance Festival, JOMBA! Contemporary Dance Experience.
Ramanenjana benefited from a residency at PACT Zollverein.
A timeless performance, frozen in a sort of dark background from which minimalist gestures as well as vibrant overall movements emerge. Ramanenjana was one of the best releases of this weekend.