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OPEN CALL:
THE BODY IMAGE METHOD
REpertoire lab #1

For the first time, Tangaj Collective launches an open call for a repertoire workshop that will take place May 25th – 30th, 2026, in Bucharest. We are looking for performers that want to explore our working method, as well as to be part of our upcoming projects.

SCHEDULE

Application period: March 16 – April 6, 2026
Selection period: April 6 – April 12, 2026
Announcement of selected participants: April 15, 2026

Repertoire workshop: May 25th – May 30th, 2026

Workshop timetable:

  • May 25th – May 29th, 2026: 10:00—16:00
  • May 30th, 2026: 13:00—19:00

Every day there is a one hour break for lunch.

Location: Linotip – Independent Choreographic Centre, Bucharest, RO

conditions

A total of 16 participants will be selected — 10 dancers from Romania and 6 dancers from other European countries.

Participation in the workshop is free of charge

International participants will receive travel and accommodation support of up to 550 EUR (transportation, shared room with twin beds).

At the end of the workshop, at least two dancers will be selected for future collaboration opportunities. The prospected periods are specified in the application form.

Participation in the workshop is open to all applicants; however, priority may be given to dancers who are interested in potential future collaborations with our collective.

the body image method

The workshop introduces a set of chrono-poetical tools that decentralize the body and place it in ongoing dialogue with its inner processes and the surrounding world. Participants explore cyborg forms of embodiment, moving beyond fixed ideas of anatomy, control, and identity. The techniques focus on working with temporality—alternating, stretching, compressing, and dislocating time—to create new images and shift habitual patterns of movement.

Inspired by systems of distributed intelligence, the workshop offers movement tools that invite the body to shift, reshape, and discover new ways of responding to its environment. References range from the adaptive behavior of an octopus to the complex networks formed by gut bacteria, opening up imaginative pathways for movement research. Tasks emphasize breath work, volumetric movement, and speed modulation, allowing dancers to distort, fold, and extend the body through time.

Drawing from Paul Schilder’s understanding of “body image” as a sensory construct and informed by feminist perspectives such as Donna Haraway’s cyborg and Astrida Neimanis’ bodies of water, the Body Image Method functions as a choreographic toolkit in which the body becomes both archive and process—absorbing, transmitting, and reshaping meaning through movement.

simona deaconescu

Simona Deaconescu works across dance, performance, installation, and cinema. Her artistic practice explores the crisis of perception in society and speculates on future scenarios of the body. In her recent work, she focuses on the fragile synergy of human desires in relation to nature, history, and technology.

She studied choreography at the National University of Theatre and Film in Bucharest and film directing at the Media University in Romania. Her projects have been co-produced within international research networks such as Moving DigitsMODINAbiofriction, and Forecast.

She was selected as an Aerowaves and Moving Balkans Artist. She received the CNDB Award and was appointed Associated Artist of the National Centre for Dance Bucharest.

Her creations were presented across Europe, the United States, Canada, Mexico, and Madagascar. Simona sees pedagogy as a natural extension of her artistic practice, facilitating workshops for both professionals and audiences, focused on chronopoetical practices and interdisciplinarity.

simona Dabija

Simona Dabija explores hybrid embodiment where mechanical and organic movement coexist. Her dance challenges perceptions of the human form, by deconstructing the movement through rhythm and speed

She holds BA and MA degrees in Choreography from UNATC Bucharest. She remains the main collaborator of choreographer Simona Deaconescu and a core member of Tangaj Collective, performing and teaching within the company for the past 10 years.

In parallel, she has been developing projects with independent spaces and collectives in Bucharest, such as Linotip, /SAC, and Delazero.

In 2024, she premiered her first solo piece, BPM—Beats per Millennium, part of the Iridescent Festival at CNDB, and co-created the performative installation Original Spaces/Legalized Gestures, together with choreographer Ioana Marchidan. 

She received the CNDB Award in 2020 for her contribution to the growth of contemporary dance in Romania.

Days
Hours
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This workshop is part of the project Extended Bodies. Performative Routes, co-financed by the Administration of the National Cultural Fund. The program does not necessarily represent the official position of the Administration of the National Cultural Fund. AFCN shall not be held liable for the program’s content or any use to which the program outcome might be put. These are the sole responsibility of the beneficiary of the funding